Jamie Reid Prints & Publications

Archive of recent Jamie Reid prints, publications, products and editions released through L-13.

For available editions click the Jamie Reid category on the L-13 shop.

Released on the occasion of the exhibition
Dragon’s Revenge
A solo show of Jamie Reid’s political works 1970-2020
Galerie Simpson, Swansea
25th January – 1st March 2020

T-shirt featuring Reid’s SAVE PETROL BURN CARS image, which was first used on a sticker published by the Suburban Press in the early 1970s.

2 colour print on 100% organic ring-spun combed cotton T-shirt.

Limited to 30 t-shirts in each size.

Available in sizes S – XXL

Set of postcards in stamped envelope.

Postcard designed on the occasion of the Art Car Boot Fair, Margate 2019.

Available in two editions

Signed Edition
Edition of 50
1 signed postcard + 10 unsigned postcards per pack

Unsigned Edition
Edition of 100
10 unsigned postcards per pack

Released October 2019.

Jamie Reid vs McDonald’s

Détournement Recuperation Feedback Loop
For full information regarding this release scroll down

Released on the occasion of the Art Car Boot Fair, Margate
28th September 2019
SPECIAL ART CAR BOOT FAIR PRICE
REVERTS TO FULL PRICE ON 30th SEPT

Released simultaneously with Jamie Reid’s LOVE INFINITE screen print

Two colour screen print over full colour poster on silk poster paper

42 x 60 cm
Edition of 500
Signed and numbered by the artist
Comes with FREE photocopy pamphlet of Détournement Recuperation Feedback Loop explanatory text

WARNING:
L-13 screen-prints are not slick lifestyle products: more the work of vandals,  hooligans and artists than interior designers. These prints have the requisite amount of misprint and offsetting, overprinting and physical abrasion. They may have additional finger prints, smudges, tears, dents, creased edges and other marks that bare testimony to their making. The hip will find this beautiful and the squares will find it abhorrent.

JAMIE REID vs McDONALD’S  
DÉTOURNEMENT* RECUPERATION** FEEDBACK LOOP

THOSE PAYING ATTENTION WILL HAVE NOTICED THE FAST=JUNK FOOD GLOBAL GIANT McDONALD’S RECUPERATION MISUSE=ABUSE and PERVERSION OF PUNK “STYLE” GRAPHICS ARE LIFTED STRAIGHT FROM JAMIE REID’S PIONEERING DESIGNS: MOST NOTABLY ‘NEVER MIND THE BOLLOCKS’.

McDONALD’S IS NOT PUNK IT’S SHIT
WE DON’T NEED TO EXPLAIN WHY
… BUT …

WHAT HAPPENS WHEN THE RECUPERATION** OF THE REBELLION BECOMES THE DÉTOURNEMENT* OF THE REBELLION?

WILL IT GENERATE AN ACCELERATING VORTEX OF
DÉTOURNEMENT* RECUPERATION** FEEDBACK LOOPS?

WILL THE PLANET DESTROYERS BECOME THE SAVIOURS OF US ALL?
WILL THE REVOLUTION BE JUNK?
WILL THE JUNK BE PUNK?

WILL ART BECOME HIGH IN SATURATED FAT SUGAR & SALT MADE BY FLATULANT BEASTS SELLING THE ECOLOGICAL DREAM IN
SUSTAINABLY SOURCED STYRAFOAM CUPS?

WHERE WILL IT ALL END?
 
JAMIE REID vs McDONALD’S
LOVE vs HATE
PLANETARY DESTRUCTION
REVOLTING CARNAGE

FUCK HUMANS
FUCK THE PLANET
LONG LIVE McDONALD’S

*Détournement: A détournement (French: [detuʁnəmɑ̃]), meaning “rerouting, hijacking” in French, is a technique developed in the 1950s by the Letterist International, and later adapted by the Situationist International (SI), that was defined in the SI’s inaugural 1958 journal as “[t]he integration of present or past artistic productions into a superior construction of a milieu”.
 
**Recuperation: In the sociological sense, recuperation is the process by which politically radical ideas and images are twisted, co-opted, absorbed, defused, incorporated, annexed and commodified within media culture and bourgeois society, and thus become interpreted through a neutralized, innocuous or more socially conventional perspective. More broadly, it may refer to the cultural appropriation of any subversive works or ideas by mainstream culture. It is the opposite of détournement, in which images and other cultural artefacts are appropriated from mainstream sources and repurposed with radical intentions.

Released on the occasion of the Art Car Boot Fair, Margate
28th September 2019

Released simultaneously with Jamie Reid’s I’M LOVIN’ IT/I’M HATIN’ IT screen print

THE YIN TO THE YANG
TO REDRESS THE BALANCE
AND REALIGN THE ENERGIES
TOWARDS UNIVERSAL MAJESTYTwo colour screen print on torn Japanese Hosho paperwith the offset under-colour bled into the paper so all unique 60 x 42 cmEdition of 250 copiesSigned and numbered by the artist 

WARNING:
L-13 screen-prints are not slick lifestyle products: more the work of vandals,  hooligans and artists than interior designers. These prints have the requisite amount of misprint and offsetting, overprinting and physical abrasion. They may have additional finger prints, smudges, tears, dents, creased edges and other marks that bare testimony to their making. The hip will find this beautiful and the squares will find it abhorrent.

Détournement Recuperation Feedback Loop  Pamphlet
Full colour explanatory pamphlet printed on deluxe 350gsm silk card with matt lamination

Published to accompany and contextualise the I’m Lovin’ It/I’m Hatin’ It screen print for the Art Car Boot Fair, Margate September 2019.

Edition of 50
Signed and numbered by the artist

Released in support of Extinction Rebellion’s International Rebellion* April 2019.

Five colour screen print on recycled acid free brown card
Edition of 150 in two colourways
75 Night & 75 Day
Signed and numbered by the artist
45 x 58.5 cm 

50% of all sales go to support the work of Extinction Rebellion

Extinction Rebellion (XR) is an international movement that uses non-violent civil disobedience to achieve radical change in order to minimise the risk of human extinction and ecological collapse. 

15 April – International Rebellion – Global. Extinction Rebellion activists in the UK and around the world are calling for a full-scale international rebellion: to demand decisive action on the climate and ecological collapse from governments around the world. Come to stay and book time off work.

WARNING:
L-13 screen-prints are not slick lifestyle products: more the work of vandals,  hooligans and artists than interior designers. These prints have the requisite amount of misprint and offsetting, overprinting and physical abrasion. They may have additional finger prints, smudges, tears, dents, and other marks that bare testimony to their making. The hip will find this beautiful and the squares will find it abhorrent.

XXXXX book and associated publications marking 50 years of Reid’s work, released November 2018.

For full details please see the XXXXX project page.

SIGNED AND NUMBERED 3 COLOUR SCREEN-PRINT IN MULTIPLE COLOUR WAYS AVAILABLE AT A MASSIVELY DISCOUNTED PRICE FOR ONE DAY ONLY 

Specially made for the Art Car Boot Fair Christmas Wrap Party 9th DECEMBER 2018 

  • 3 colour screen-print In assorted colour-ways
  • The edition includes all test prints, rejects, faults and anomalies
  • If you are lucky you will get a unique work or a very rare colour way
  • Printed and mistreated by L-13 Screen-print Solutions as instructed by the artist
  • Limited Edition of 500 copies signed and numbered by Jamie Reid
  • 280gsm Eco Cairn acid-free brown card
  • 64 x 45 cm 
  • Housed in specially screen-printed portfolio/mailer

PRINTS COME PRE-PACKAGED POT LUCK COLOUR-WAY THERE WILL BE NO CHOOSING, DELIBERATING OR BARGAINING Choice is an illusion and you must play with the hand you are dealt. The illusion of choice causes stress. L-13 is dedicated to relieving stress. For this we do not allow you a choice of colour-way or allow you to worry about the condition of your print. We won’t even choose. All the prints will be sealed in a cardboard portfolio and you will be surprised and happy with what you receive, and the world will be at peace. 

WARNING: L-13 screen-prints are not slick lifestyle products: more the work of vandals,  hooligans and artists than interior designers. These prints have the requisite amount of misprint and offsetting, overprinting and physical abrasion. They may have additional finger prints, smudges, and other marks that bare testimony to their making. The hip will find this beautiful and the squares will find it abhorrent. 

Released on the occasion of a new print: TRUMP! Peace F*CKER!! available here.

Reissue of the original John Wayne Peace Is Tough artwork made in the early 1990s.

Archival reproduction print on heavy matt stock.

Available in two editions:

Signed Edition
Edition of 50 printsSigned and numbered by the artist
78.5 x 61 cm
£250

AND

POP Edition
Edition of 150 printsNumbered and stamped with a stamp of the artist’s signature
30.5 x 40 cm
£30

Released November 2018.

Published on the occasion of Trump saying

US will withdraw from nuclear arms treaty with Russia

Experts warn of ‘most severe crisis in nuclear arms control since the 1980s’ as Trump confirms US will leave INF treaty.

We are proud to publish a new work by Jamie Reid:

TRUMP! Peace F*CKER!!

A 21st Century reworking of Reid’s original John Wayne Peace Is Tough, now available as a reissue.

Archival reproduction print on heavy matt stock.

Available in two editions:

Signed Edition
Edition of 50 printsSigned and numbered by the artist
66 x 61 cm
£250

AND

POP Edition
Edition of 150 printsNumbered and stamped with a stamp of the artist’s signature
30.5 x 33 cm
£30

Released November 2018.

BELIEVE IN THE RUINS

WE VALUE ICONIC LUXURY & INNOVATIVE LIFESTYLE SOLUTIONSYOU VALUE ICONIC & INNOVATIVE INVESTMENT INITIATIVES
TOGETHER WE MOULD THE DERELICTION OF THE FUTURE

A COLLABORATIVE LIFESTYLE DISASTER
FROM THE L-13 LIGHT INDUSTRIAL WORKSHOP FLOOR TO YOUR WALL

AVAILABLE AT A MASSIVELY DISCOUNTED PRICE FOR ONE DAY ONLY

Specially made for the Art Car Boot Fair
16th SEPTEMBER 2018

  • A raw, rough ‘n ready 6 colour screen-print In assorted colour-ways
  • Jimmy’s tower block, Jamie’s Boudica, Jimmy’s slogan, Jamie’s ransom note lettering
  • The edition includes all test prints, rejects, faults and anomalies
  • If you are lucky you will get a unique work
  • Printed and mistreated by L-13 Screen-print Solutions as instructed by the artists
  • Limited Edition of 350 signed and numbered by Jamie Reid and Jimmy Cauty
  • 400gsm Reverse Optimum Grey Backed White Lined Chipboard
  • 64 x 45 cm 
  • Housed in specially screen-printed portfolio/mailer

PRINTS COME PRE-PACKAGED
POT LUCK COLOUR-WAY and STATE OF PERFECTION/DERELICTION

THERE WILL BE NO CHOOSING, DELIBERATING OR BARGAINING
Choice is an illusion and you must play with the hand you are dealt. The illusion of choice causes stress. L-13 is dedicated to relieving stress. For this we do not allow you a choice of colour-way or allow you to worry about the condition of your print. We won’t even choose. All the prints will be sealed in a cardboard portfolio and you will be surprised and happy with what you receive, and the world will be at peace.

  • Stained with red and blue, hand distressed and folded.
  • Edition of 313 signed and numbered by the artist.
  • 58 x 82 cm

40 years after Jamie Reid first put Swastikas on the eyes of the Queen and stuck a safety pin through her mouth, he now turns his iconoclastic attention to the United States of America using elements from the original Swastika Eyes collage.Published on the occasion on Cultural Traffic, New York 7th May 2017. 

Please Note: Each print is hand distressed and stained so will differ slightly from the one shown here. 

  • Stained with red and blue, hand distressed and folded.
  • Edition of 313 signed and numbered by the artist.
  • 52 x 71 cm

40 years after Jamie Reid first put Swastikas on the eyes of the Queen and stuck a safety pin through her mouth, he now turns his iconoclastic attention to the United States of America using elements from the original Swastika Eyes collage.

Published on the occasion on Cultural Traffic, New York 7th May 2017.

Please Note: Each print is hand distressed and stained so will differ slightly from the one shown here. 

  • Stained with red and blue, hand distressed and folded.
  • Edition of 313 signed and numbered by the artist.
  • 52 x 71 cm

40 years after Jamie Reid first put Swastikas on the eyes of the Queen and stuck a safety pin through her mouth, he now turns his iconoclastic attention to the United States of America using elements from the original Swastika Eyes collage. In honour of these Trump prints we have also issued a new edition of the original Swastika Eyes in the same stained, distressed and folded condition. Published on the occasion on Cultural Traffic, New York 7th May 2017. 

Please Note: Each print is hand distressed and stained so will differ slightly from the one shown here. 

First bound edition
L-13 Press of Clerkenwell, 2017

Released on the Autumn Equinox, 21st September 2017

Originally published as a limited edition loose leaf book in association with John Marchant Gallery, 2015 (now sold out).

Paintings, photographs and texts that meditate on the eight festivals in the Druidic calendar.

8 paintings by Jamie Reid to signify each festival with an explanatary text by Philip Carr-Gomm (Chief of the Order of Bards, Ovates and Druids)
8 photographs taken by Jamie on his travels around the country
8 text works

52 full-colour pages

500 copies printed
of which 150 have a dust-jacket specially printed at L-13 on heavy matt archival stock, signed and numbered on the title page by Jamie Reid

Available in two editions:

  • Paperback bound edition of 350, unnumbered
  • Special Dust Jacket edition of 150, signed and numbered by the artist